Musical

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Re: Musical

Postby daydreamer » Mon Jun 05, 2017 9:07 am

It's just been announced that Diana Vickers will star as 'Kat' in the Preacher Man musical. She came from X Factor but had very good reviews when starring as 'Little Voice' in the West End.

DIANA VICKERS TO STAR IN UK TOUR OF
NEW MUSICAL SON OF A PREACHER MAN

Son of a Preacher Man today announces that X-factor finalist Diana Vickers will create the role of Kat for the 2017 tour of this heart-warming new musical.
Featuring the soulful music of Dusty Springfield, with a book by Warner Brown and directed and choreographed by Craig Revel Horwood, Son of a Preacher Man embarks on a national tour starting at Bromley’s Churchill Theatre from Monday 4 September 2017.
Three broken hearts, one Soho hang-out, and the only man who could ever help them…
Welcome to the Preacher Man, the swinging 1960s Soho joint where the kids danced the night away to the latest crazes and dared to dream of love, while the legendary owner, the Preacher Man himself, dispensed advice to cure the loneliest of hearts.
Only, that was a long time ago and all that remains are the memories, the stories and the myths. Until now, that is, when three random strangers, generations apart but all in need of help with their hopeless love lives, are inexplicably drawn to the site of the original venue. The Preacher Man is long gone, but his son, with help from the wonderful Cappuccino Sisters, might just find it in himself to channel the spirit of the Preacher Man and once more give these three lovesick strangers the look of love.
Featuring the greatest hits of Dusty Springfield, including "The Look Of Love", "I Only Want To Be With You", "Spooky" and of course, the classic "Son Of A Preacher Man", this sparklingly funny and sweetly touching new musical by internationally renowned writer Warner Brown will have you laughing, crying and singing your heart out to some of the greatest songs ever written.
Diana Vickers first came to public attention as a semi-finalist on the X Factor and has made her professional acting debut in the title role of The Rise and Fall of Little Voice in 2009 (West End, Vaudeville Theatre). Since then her theatre credits have included The Duck House (West End, Vaudeville Theatre), Hatched ‘n’ Dispatched (Park Theatre), The Rocky Horror Show (UK Tour). Her film and television credits include The Perfect Wave, Awaiting, To Dream, Give Out Girls and Top Coppers.
Warner Brown works internationally and is well known for his work in musical theatre and straight plays, encompassing both traditional and avant-garde forms.
He wrote ‘the most popular family show of all time’, the arena production Walking With Dinosaurs, creating an entirely new genre of theatrical presentation and winning many international awards. Currently playing in venues from Madison Square Garden to the Mercedes Benz Arena in Shanghai, an episode of CSI: Las Vegas has been based upon the show and it has even been parodied on The Simpsons.
Warner is currently working on multiple developing projects, including the Broadway musicals The Gold Room and The Thomas Crown Affair, both with composer Michael Feinstein; the opera Empty Spaces, with composer Joshua Schmidt, for Florentine Opera in the USA; the musical A Little Danger, with composer Michael Reed, for the St Petersburg Theatre in Russia; and the screenplay for the movie A Minute To Midnight for Bill Kenwright Films. He is part of the consortium, including choreographer Arlene Phillips and musical director Mike Dixon, for the new internet based project Reality.
Writing credits include Half A Sixpence (UK Tour), The Biograph Girl (Phoenix Theatre), Cinderella (London Palladium), The Black and White Ball, which opened in London and for which The Cole Porter Trusts granted Warner stage rights to the songs of Cole Porter, Flickers (Broadway’s Circle-In-The Square Theater), The House on the Corner (Edinburgh International Festival) and, in addition, Tallulah For A Day and Sleep With Friends. Plays include Laughing Dove, Wavelength and The Prospero Suite, directed by John Doyle.
Warner has worked extensively in Europe, most recently writing the musical Garbo, with music by ‘Meatloaf’ rock legend Jim Steinman. He also has extensive writing credits for the BBC and was Script Associate of the BBC Classic Musicals Series, for which he adapted fourteen musicals featuring many international stars. Warner was the subject of the BBC Two TV documentary The Making Of A Musical. Warner is co-sponsor of the international music prize The S&S Award, named in honour of his late parents.
Craig Revel Horwood is a well-known face on television in the UK and now internationally for his role as a judge on all fifteen series of BBC One's Strictly Come Dancing and for directing and appearing as a judge in the Live Tour.
Craig’s recent credits as director and choreographer include the current UK tour of Sister Act, the previous UK tours Brother Love Travelling Salvation Show and Chess; for television, How Do You Solve a Problem Like Maria? and Just the Two of Us; and for film, the feature film Paddington 2. In addition, he recently directed the all-star concert version of Stephen Sondheim’s Follies at the Royal Albert Hall. Other credits as a theatre director and choreographer are: West Side Story (Prince Edward), Miss Saigon (Drury Lane), Hey, Mr Producer! (Lyceum), Spend Spend Spend! (Piccadilly Theatre; Olivier nomination for Best Choreography), Pal Joey (Chichester Festival Theatre), Guys and Dolls (Sheffield Crucible), Paradise Moscow (Opera North), Carmen (Holland Park), My One and Only (Piccadilly Theatre; Olivier nomination for Best Choreography), Beautiful and Damned (Lyric Theatre), Arms and the Cow (Opera North), The Ballet Boyz: Yumbo Vs Nonino (Festival Hall, Sadler's Wells, Royal Opera House, Covent Garden), The Hot Mikado (Watermill Theatre and UK Tour; Martin Guerre (Watermill Theatre), Sunset Boulevard (Watermill Theatre and Comedy Theatre, West End), Spend Spend Spend! (Watermill Theatre and UK Tour) and Copacabana (Watermill Theatre).
He recently returned to his roots as a performer in musical theatre, starring as Miss Hannigan in the UK national tour of Annie, and in Christmas 2016 as Captain Hook in Peter Pan at the Churchill Theatre, Bromley. Other performing credits include Captain Hook in Peter Pan at the Orchard, Dartford in 2014 and at the Swan, High Wycombe in 2015. Previously, Craig starred as the Wicked Queen in Snow White at Venue Cymru, Llandudno in 2009, The Hawth, Crawley in 2010 and The Orchard, Dartford 2011. He reprised his role at The Swan Theatre, High Wycombe in 2012 and the Cliffs Pavilion, Southend in 2013.
Amongst his numerous TV credits, highlights include winning the BBC Two series Maestro at the Opera, the final of which saw him conduct Act II of La Bohème at the Royal Opera House. He was also a grand finalist on the hit cooking show, Celebrity MasterChef and participated in and won Ready, Steady, Cook.
Book Warner Brown
Director & Choreographer Craig Revel Horwood
Set & Costume Designer Morgan Large
Musical Supervisor & Arrangements Paul Herbert
Lighting Designer Richard G Jones
Sound Designer Richard Brooker
Associate Director & Choreographer David James Hulston
Casting Director Anne Vosser

Son of a Preacher Man is produced by Brian Berg, John Sachs, Andrew Berg & Kimberley Sachs for
Eclipse Live, Michael Park for The Infinite Group, Paul Tyrer & Jamie Clark for TBO Productions,
Churchill Theatre Bromley and executive producers Andrew Green and Ben White, all on behalf of Dusty Touring Ltd.

FOR FURTHER INFORMATION PLEASE VISIT:
www.sonofapreachermanmusical.com/

TOUR DETAILS

Churchill Theatre, Bromley
4 September – 9 September 2017
Website: www.atgtickets.com
Box Office: 020 3285 6000

New Alexandra Theatre, Birmingham
12 September – 16 September 2017
Website: www.atgtickets.com
Box Office: 0844 871 3011

Sunderland Empire Theatre, Sunderland
19 – 23 September 2017
Website: www.atgtickets.com
Box Office:

Palace Theatre, Manchester
26 September – 30 September 2017
Website: www.atgtickets.com
Box Office: 0844 871 3019

Grand Opera House, York
3 October – 7 October 2017
Website: www.atgtickets.com
Box Office: 0844 871 3024

Regent Theatre, Stoke
10 October – 14 October 2017
Website: www.atgtickets.com
Box Office: 0844 871 7649

Festival Theatre, Edinburgh
17 – 21 October 2017
Website: http://www.edtheatres.com/festival
Box Office: 0131 529 6000

New Theatre, Oxford
24 October – 28 October 2017
Website: www.atgtickets.com
Box Office: 0844 871 3020

Assembly Hall Theatre, Tunbridge Wells
31 October – 4 November 2017
Website: https://www.assemblyhalltheatre.co.uk/
Box Office: 0189 253 0613

Hull New Theatre, Hull
7 November – 11 November 2017
Website: http://www.hcandl.co.uk/hullnewtheatre
Box Office: 148 230 0300

New Wimbledon Theatre, Wimbledon
14 November – 18 November 2017
Website: www.atgtickets.com
Box Office: 0844 871 7646

Belfast Grand Opera House, Belfast
21 November – 25 November 2017
Website: https://www.goh.co.uk/
Box Office: 028 9024 1919

Wycombe Swan, High Wycombe
28 November – 2 December 2017
Website: https://wycombeswan.co.uk/Online/
Box Office: 149 451 2000

2018 dates and further casting to be announced.





For SON OF A PREACHER MAN UK Tour
James Travis-Lever, Hannah Stockton and Freya Edgeworth at Jo Allan PR
james@joallanpr.com | hannah@joallanpr.com | freya@joallanpr.com
020 7520 9392

Website: www.sonofapreachermanmusical.com/
Facebook: https://www.facebook.com/sonofapreachermanuk/
Twitter: https://twitter.com/PreacherManUK




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Re: Musical

Postby Sweetbaby » Tue Jun 06, 2017 7:21 pm

ImageWell - thank God they cast someone!

At age 25 I would think Diana is far too young to play a 1960s club habituée in any kind of present day context - so perhaps Kat in one of "the wonderful Cappuccino Sisters" who I suspect are the resident act at the SOAPM club (and as such can sing the Dusty hits that can't be shoe-horned into the plot).

Then again as any denizens of Swinging London would now typically be in their seventies and this musical is not evidently vaunted as a showcase for the Exotic Marigold Hotel set, its timeline is likely to some degree non-realistic - perhaps to the degree where twenty-somethings could play present day versions of kids who danced the night away at a Swinging 1960s Soho joint. And Craig Revel Harwood does have a seeming penchant for X Factor veterans - a demographic more youthful than otherwise and evinced by Alexandra Burke currently headlining Harwood's touring production of Sister Act (and reportedly doing so most successfully - that both Diana and Alexandra came to the fore in the 2008 edition of X Factor is perhaps a good omen). Feasibly the future casting announcements for Son of a Preacher Man may see Harwood returning to the X Factor well.

Any road - I've found some very nice comments re Diana's previous theatrical turns: for example the Telegraph review of the 2009 West End revival of Little Voice which was apparently her theatrical debut stated "[it's] remarkable ...encountering Diana Vickers for the first time on stage [as] it turns out that she can act as well as sing...and is magical when she sings."

Also wanted to mention that the list of engagements in the quoted story is out-of-date - the most reliable current tour listing would seem to be that at https://www.ents24.com/uk/tour-dates/so ... an-touring
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Re: Musical

Postby Sweetbaby » Thu Jun 15, 2017 8:28 pm

ImageWow! Frankie from Coronation Street is on-board for the SOAPM musical, it being announced that Debra Stephenson will be creating the role of Alison. And having turned 45 Sunday before last Debra is of a relatively reasonable age to portray a woman nostalgiac for the 60s having been born a mere three years from the decade's close.

Debra doesn't seem to have a lot of stage acting experience - indeed SOAPM may be her stage musical debut as the only prior stage role of hers I can find referenced online is a 2014 production of Neil Simon's Last of the Red Hot Lovers. However she has in recent years toured widely with her Night of 100 Voices show of celebrity impressions - surprisingly Dusty doesn't seem to be among them - and even critics with reservations about the show overall do grant that Debra is a good singer. BTW - there was talk of Debra starring in West End productions of My Fair Lady and Mary Poppins but both opportunities conflicted with a pregnancy - reportedly Debra had to skip her My Fair Lady audition as she went into labor earlier that day!
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Re: Musical

Postby Sweetbaby » Tue Jun 20, 2017 9:18 pm

AmyLehpamer.PNG
AmyLehpamer.PNG (46.64 KiB) Viewed 5750 times
I sense the Oz Dusty jukebox musical is pretty much considered yesterday's - well - dust but I think it rates mention that Amy Lehpamer who starred in the recent revival of Dusty: the Musical is nominated for a Helpmann award - that being the Oz equivalent of a Tony or Olivier award: Tamsin Carroll received the Helpmann award for best musical actress for starring in the 2006 premiere production. Here's a preview clip of the production helmed by Amy:
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Re: Musical

Postby daydreamer » Sat Jul 01, 2017 5:21 pm

There's been a discussion over on one of the Facebook sites after this snippet appeared in the Daily Mail today.

musical elton daily mail.jpg
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Re: Musical

Postby pat.dunham » Sun Jul 02, 2017 10:03 am

How is this authorised ?
Presume this version goes further than others, which tend to end at DIM.
The way this article is written it would appear Dusty died of her addictions! How sad and so untrue.
I could say more but .......no.
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Re: Musical

Postby trek007 » Sun Jul 02, 2017 2:29 pm

Typical Daily Mail reporting.
I hope the article isn't a reflection on the rest of the Musical!
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Re: Musical

Postby Sweetbaby » Sun Jul 02, 2017 11:30 pm

:no: Well - however taloidic the Mail may be, the paper must have gotten hold of something to base the article upon. Hopefully some "insider" made an ill-considered decision to promote the musical, and while Dusty's darker moments may be featured they won't in fact be the main focus. As I've mentioned Katherine Kingsley's stage career has been as a light actress and hopefully that augurs for the Dusty musical being overall light-hearted. For now we can only hope. And there is the SOAPM musical which Dusty's fans should be able to anticipate with no unease.
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Re: Musical

Postby IWannaBeABluesSinger » Mon Jul 03, 2017 12:21 pm

daydreamer wrote:There's been a discussion over on one of the Facebook sites after this snippet appeared in the Daily Mail today.

musical elton daily mail.jpg


Is this the musical Vicki Wickham is involved in, or the other one?

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Re: Musical

Postby daydreamer » Mon Jul 03, 2017 3:46 pm

If by "the other one", you mean "SOAPM" Maggie, then no, as that one isn't about Dusty, just features her music. This is the VW one. I'd like to know if this info was given to the press, or if they just picked Sue Cameron's quotes out of the Bartlett book and made up a little story. Have we ever heard Elton himself say that this song was intended for Dusty or has it always just been hearsay?
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Re: Musical

Postby trek007 » Mon Jul 03, 2017 5:34 pm

I seem to recollect Kiki Dee talking about Don't go breaking my heart awhile ago.
As far as I can recall she said Elton had Dusty in mind for the duet, but when he contacted Dusty she wasn't well and there was a small time scale as to when it could be recorded so he had to go ahead and in the end he did it with Kiki.

That seemed to be the gist of as far as I can remember.
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Re: Musical

Postby IWannaBeABluesSinger » Mon Jul 03, 2017 8:36 pm

And by "wasn't well" they thought she was on a self-indulgent bender, when in fact she was not at all in control of when and where she could function.

To answer your question, Carole, as to where this story comes from it has Vicki's Version of Dusty all over it. Words like "continuing decline" sound like the kind of press release VW would write.

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Re: Musical

Postby Sweetbaby » Mon Jul 03, 2017 10:06 pm

Well I know Vicki's painted a bullseye on herself but my understanding is that while for better or worse she was to be involved in the Dusty bio-musical her health concerns have prevented it. And while DWD speaks of Dusty's issues in the studio as a chorale member for Elton's Bitch is Back and states that Dusty was "furious with herself" when Don't Go Breaking My Heart became a mega-hit - presumably believing that her studio issues had discouraged Elton from making her a duet partner - the book does not posit Dusty's forfeiting a firm offer of Don't Go... as claimed by the Mail. If the musical does plan to play up Dusty's connection with Don't Go... perhaps it's to bring in Elton as a character to augment interest in the show. And hopefully the real Elton can make sure the show's producers know what's really what.
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Re: Musical

Postby IWannaBeABluesSinger » Mon Jul 03, 2017 11:00 pm

Although Vicki may not be actively involved at the moment she was a year ago when this was in the planning stages. At that time the show was just a collection of anectdotes, and when winnowing them down I am sure the standard for making the cut was "the more sensational the better". This one fits the bill, whether true or not.

The tone of this production, and the way it will be promoted, is going to be Vicki's version, and if this first press blurb is any indication it will be brutal.

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Re: Musical

Postby Sweetbaby » Wed Jul 05, 2017 12:00 am

It still seems to me that Vicki didn't realize how inflammatory Dusty's depiction in DWD might come across as - and whatever the case there, Vicki (and all other interested parties) should certainly know now that Dusty's fanbase whose support is vital to the musical's success don't want to see a tabloid take on Dusty's life. As I've said we can only hope that the tidbit dropped in the Mail doesn't exemplify the entire production's tone. Perhaps giving focus to what was really a footnote in Dusty's life: her not dueting on Don't Go Breaking My Heart, is just a matter of plotline symmetry: Dusty has a lowpoint when she's passed over as duet partner for Don't Go... only to triumphantly comeback dueting on What Have I Done to Deserve This (which quite likely will be the musical's conclusion). And if there is any misrepresentation of Dusty's involvement in Don't Go... hopefully Elton can emphatically express displeasure.

BTW - the SOAPM musical still has only two cast members announced: likely attendees at the premiere two months from today can at least count on a theatrical experience of considerable spontaneous energy! I'm still hoping for a gig in Wales - not sure if Liz actually wants to see it but it's the principle of the thing.
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Re: Musical

Postby JMFabianoRPL » Thu Jul 06, 2017 4:02 pm

Meh, if she hasn't learned her lesson by now, she never will. She is still a greedy villain and bully, IMO, and I hope karma succeeds where she is failing herself. And I challenge anyone here to prove me wrong.

There is a reason why after 17 years, I am still furious that Dancing with Bullcrap ever existed, and that the people who were responsible mostly got away with it. I do still seek reason to leave my anger behind, but it's hard. That DWB happened and has influence after nearly 2 decades is why I think Dusty doesn't get even more respect as she should.

And if Elton gets mad at V, I hope he uses some of the colorful terms he saved for people like Madonna.
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Re: Musical

Postby Sweetbaby » Fri Jul 07, 2017 12:01 am

I'm not out to change anyone's mind but I will put out there the idea that DWD isn't really that significant. The tributes to Dusty I read at the time of her passing while overall laudatory did reference her darker days: perhaps DWD could have put the perception of Dusty as a troubled soul in a balanced context, but the perception predates the book. Members of the public who perceive Dusty as a showbiz casualty likely never read DWD which - like the 2014 Karen Bartlett tone - seems to have been largely ignored outside Dusty's fanbase. And IMHO the darker factors in Dusty's perceived persona haven't in any way negated respect for her artistry, which is higher now than in her commercial heyday and shows no sign of diminishing.

And despite the unfortunate tone of the Mail blurb I doubt if the upcoming West End musical will differ significantly in tone from the Dusty musicals we've already had which - whatever their perceived failings - were not hatchet jobs. I've mentioned that Katherine Kingsley's stage career has been focused on light projects and that's also true of director Maria Friedman. And essentially jukebox musicals are fripperies: their protagonists may encounter challenges - but nothing that's going to seriously bring an audience down.
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Re: Musical

Postby Sweetbaby » Sun Jul 09, 2017 11:17 pm

ImageA casting update of sorts on the SOAPM musical - with most roles unassigned eight weeks before the scheduled premiere, a statement has been added to the musical's site (or perhaps I've just overlooked it til now) that Diana and Debra are only committed for the 2017 dates. Don't mean to be negative: the musical had enough starpower with Dusty and CRH's names attached to get an impressive number of bookings - the casting procedure for this particular show just seems to me unusual. But then perhaps I've never really monitored a show in development before. Still hoping for a gig in Wales!
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Re: Musical

Postby Sweetbaby » Fri Jul 14, 2017 10:31 pm

ImageWell - at this moment the info's not yet on the musical's official site but the first male cast member for the SOAPM musical has been announced: Ian Reddington, who has had a lengthy career onscreen large and small (including EastEnders and Corrie gigs) and stage. Although still too young to have actually frequented a 60s nightclub Ian - who will turn 60 September 23 at the end of SOAPM's Sunderland gig - is substantially older than either of the two previously announced cast members and his role - identified as Simon - is likely the seasoned title character. No word if Ian's committed through 2018. There's a "teaser" on Facebook and Twitter of the announcement of two new bookings for SOAPM being imminent.
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Re: Musical

Postby Sweetbaby » Wed Jul 19, 2017 10:16 pm

ImageNot sure if this increases accessibility for anyone here but a gig for the SOAPM musical has been confirmed for the Hippodrome in Darlington next February: details here - https://www.darlingtonhippodrome.co.uk/ ... acher-man/

If anyone is in the "viewing area" you might also be interested in the Darlington Hippodrome's preceding production, the Four Seasons' jukebox musical New Jersey Nights, which unlike Jersey Boys would seem to be a tribute concert with highlights of the Four Seasons' career referenced rather than enacted, with no mention made of the darker aspects of the group's career.
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Re: Musical

Postby JMFabianoRPL » Thu Jul 20, 2017 6:59 pm

Sweetbaby wrote:I'm not out to change anyone's mind but I will put out there the idea that DWD isn't really that significant. The tributes to Dusty I read at the time of her passing while overall laudatory did reference her darker days: perhaps DWD could have put the perception of Dusty as a troubled soul in a balanced context, but the perception predates the book. Members of the public who perceive Dusty as a showbiz casualty likely never read DWD which - like the 2014 Karen Bartlett tone - seems to have been largely ignored outside Dusty's fanbase. And IMHO the darker factors in Dusty's perceived persona haven't in any way negated respect for her artistry, which is higher now than in her commercial heyday and shows no sign of diminishing.

And despite the unfortunate tone of the Mail blurb I doubt if the upcoming West End musical will differ significantly in tone from the Dusty musicals we've already had which - whatever their perceived failings - were not hatchet jobs. I've mentioned that Katherine Kingsley's stage career has been focused on light projects and that's also true of director Maria Friedman. And essentially jukebox musicals are fripperies: their protagonists may encounter challenges - but nothing that's going to seriously bring an audience down.


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Re: Musical

Postby Sweetbaby » Thu Jul 20, 2017 8:52 pm

I fully respect your opinion but I would at least somewhat press the point that DWD has not in any way dimmed Dusty's iconic status.
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Re: Musical

Postby JMFabianoRPL » Fri Jul 21, 2017 12:10 am

Sweetbaby wrote:I fully respect your opinion but I would at least somewhat press the point that DWD has not in any way dimmed Dusty's iconic status.


Well yeah. But I still have this part that wishes the people who did it paid for what they did. And the DWBS image lives on in presentations like this.
Last edited by JMFabianoRPL on Fri Jul 21, 2017 2:56 pm, edited 1 time in total.
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Re: Musical

Postby Douggie » Fri Jul 21, 2017 6:50 am

Sweetbaby wrote:ImageNot sure if this increases accessibility for anyone here but a gig for the SOAPM musical has been confirmed for the Hippodrome in Darlington next February: details here - https://www.darlingtonhippodrome.co.uk/ ... acher-man/

If anyone is in the "viewing area" you might also be interested in the Darlington Hippodrome's preceding production, the Four Seasons' jukebox musical New Jersey Nights, which unlike Jersey Boys would seem to be a tribute concert with highlights of the Four Seasons' career referenced rather than enacted, with no mention made of the darker aspects of the group's career.



HI
I have to say even though I do not have a liking for tribute shows. The last couple of lines from the last paragraph above made sense to me, which I have copied below.

(The Four Seasons' jukebox musical New Jersey Nights, which unlike Jersey Boys would seem to be a tribute concert with highlights of the Four Seasons' career referenced rather than enacted, with no mention made of the darker aspects of the group's career.) Struck home to me!!!.

Yeah!! career referenced rather than enacted, with no mention made of the darker aspects of the group's career.You can apply the same context to Dusty's career referenced rather than enacted, with no mention made of the darker aspects of the artists career
Sing the songs pay respect to the artist's. You shouldn't need anything else, maybe this is what all the other shows missed. WE love Dusty for her voice and the wonderful songs she sang. You could do many, many shows just doing her songs - without repeating too many of them. I don't think you really need to say anything other than sing her songs. I have seen some tribute shows and they don't go into long stories about what happened to them in their lives. They just sang the songs. Forget the story line (unless you know the real story-which none do) Just Sing her songs. It will be much easier and everyone you hope!1 will like what you have done. They may come to your show, enjoy what you presented then leave the theatre happy.

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Re: Musical

Postby JMFabianoRPL » Fri Jul 21, 2017 2:57 pm

I agree. And this is why, as I said, I can't let go of DWBS and am still hoping for a long overdue visit from the karma train....as its image of Dusty lives on in things like this.
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Re: Musical

Postby Sweetbaby » Fri Jul 21, 2017 6:58 pm

ImageYes - it's another protracted post by Sweetbaby but please at least skim it: I think you'll find points of interest.

First off: another January booking for the SOAPM musical, at the Lyric in the Theatre Royal Plymouth: https://www.theatreroyal.com/whats-on/2 ... acher-man/

Again - this theatre's prior production might make an interesting comparison/contrast with the SOAPM musical, being the 60s pastiche musical Hairspray. Coincidentally the Plymouth Royal Theatre/Lyric will host Jersey Boys in April.

I can't find an up-to-date listing of the musical's tour dates - the official site is shockingly lagging: hasn't even announced Ian Reddington's casting - but I believe there's still leeway for one or two more 2018 bookings. I'm pulling for Cardiff!

Secondly: I did find the posting for open auditions for the SOAPM musical which were scheduled for mid-June and besides the lead roles indicated in the promo: the club owner, the three broken-hearted clubbers, the Cappuccino Sisters (I'm thinking three of 'em), there are apparently several supporting roles:

Liam a young boy on the verge of manhood who is gorgeous to look at [as opposed to what?] Poetic. Fickle, though. Also plays Young Paul [So apparently the 60s heyday of the club is enacted]. Good dance ability. Needs to play trumpet.

Madge an ageless Cockney charlady; also plays Miss Marsh a strait-laced solicitor [who I can't co-ordinate with the purported plot at all]. Good dance ability required. Needs to play violin.

Sandra a smart kind of girl who knows her music; also plays Anna - bonkers...a nut. Good dance ability required. Needs to play sax and flute.

The casting call was also for a Male and Female Swing for assorted small roles: the Male has to play trombone, the Female - sax and clarinet. All five performers cast through the open auditions will also be members of the ensemble.

The online posting of the casting call may be viewed at http://www.openauditions.uk/blog/theatr ... -12th-june
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Re: Musical

Postby daydreamer » Wed Jul 26, 2017 8:15 am

I've received a message from Duncan Sibbald re the SOAPM show and he is offering discounted tickets to all Dusty fans for the first preview performance of the show at the Churchill Theatre in Bromley, Kent. You should be able to book through the link below....

https://churchilltheatre.co.uk/Online/s ... an-preview
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Re: Musical

Postby daydreamer » Wed Jul 26, 2017 9:46 pm

In relation to the other musical (VW/Tris Penna one), I've been told that "the first showing will be on 19th June at the Theatre Royal, Bath, with a few other showings in the provinces to follow. Not sure which theatre or what date it will be in London". So not opening in the West End as I think we'd been lead to believe. Hopefully it'll do well enough in the provinces to then make it to a West End opening.
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Re: Musical

Postby jennifer49 » Wed Jul 26, 2017 10:20 pm

SOAPM - I've now booked for New Alexandra Theatre, Birmingham in September. Quite looking forward to it.

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Re: Musical

Postby Sweetbaby » Thu Jul 27, 2017 12:35 am

ImageIMHO the discounted preview offer for the SOAPM musical is absolutely fabulous - I'd urge everyone who can to avail themselves of it: it is a thoroughly professional production and does feature Dusty's songs without any evident risk of tarnishing her image.

That said - I will breathe a sigh of relief when the final casting for the play has been announced. At this point only three actors have been confirmed and the musical's website still only lists two of them (altho the relevant Facebook and Twitter does name Ian Reddington along with Diana Vickers and Debra Stephenson). And really the musical's Cast & Creatives listing should by now have added not only Ian's name but also those of the five supporting players who were presumably cast at the open auditions in June.

I was intrigued by the Bournemouth Echo headline Debra Stephenson: ‘I wanted to make a show that has something for everyone’: in fact it made no mention of the SOAPM musical, the referenced show being Debra's Night of 100 Voices with which she's currently touring. (I'd like for the article to have cited the upcoming SOAPM musical but I can understand if the promo had to stay focused on Debra's show.) Don't mean to be negative but Debra's sure not giving herself much of a window of opportunity to prep for the SOAPM musical which premieres in six weeks - but likely her vast experience as an impressionist has developed a facility to be a quick study.

Interesting info on "the other musical": it's not that surprising for it to play some out-of-town dates before opening in the West End but its not premiering til next June? Well perhaps some its cast members can perform in Son of a Preacher Man in the iterim: they'll be familiar with the songs! Again not be negative and hopefully its tryout tour will lead to a West End run (if merited).
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Re: Musical

Postby Graham2010 » Thu Jul 27, 2017 8:52 am

I think you have to be fairer to Deborah here....................she was promoting her own show in Wimborne, very close to Bournemouth...............trying to maximise attendance.

I am sure subsequent plugging of the musical will take place.............but it is not even being staged in Bournemouth or anywhere near. Deborah does live in the area.
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Re: Musical

Postby Sweetbaby » Thu Jul 27, 2017 11:09 pm

[;)] [;)] [;)] [;)] If interested parties think her name is Deborah she needs all the promo she can get! [;)] [;)] [;)] [;)] In case you didn't notice the smileys, that is meant humorously: the article does ID one of "the world's favourite singers" mimicked by Debra as "Barbara Streisand", and I'm sure no readers were confused.

But seriously - as far as being fair, I simply posted that I'd like for the article to have mentioned the SOAPM musical "but I [understood] if the promo had to stay focused on Debra's show." I do wish now that I had provided a link to the article, an omission I shall now rectify: http://www.bournemouthecho.co.uk/newS/1 ... eryone___/

Altho as also posted I didn't mean to be negative in opining that Debra wasn't giving herself much leeway to prep for the SOAPM musical: while I'm sure she's enough of a pro to both tour with her own show and prep effectively for the musical such a task would have to be quite discomfiting for anyone. I am therefore glad to have it clarified that the Tivoli Wimborne date is a one-off rather than part of a tour as I erroneously indicated (an error I apologize for).

However while it doesn't obligate Debra to mention the SOAPM musical while promoting her own show and while Debra may not be staying with the SOAPM musical into 2018, Son of a Preacher Man is indeed being staged somewhere near Bournemouth: as indicated at http://www.bic.co.uk/whats-on/son-of-a- ... -man-2018/ the Bournemouth Pavilion Theatre will host the play 1 – 5 May 2018.
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Re: Musical

Postby Sweetbaby » Tue Aug 01, 2017 12:09 am

SOAPM.PNG
SOAPM.PNG (167.58 KiB) Viewed 4662 times
Here's a snap from 10 hours ago of the first day of rehearsals for the SOAPM musical: not sure if they're utilizing stand-ins for the unconfirmed roles or if the roles are all confirmed without benefit of announcement. Any road - the first day of rehearsal followed almost immediately on Debra Stephenson giving her Night of 100 Voices performance on July 29: since it was brought up here I'm linking to a review - http://www.bournemouthecho.co.uk/news/1 ... he_Tivoli/
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Re: Musical

Postby Graham2010 » Tue Aug 01, 2017 6:44 am

Thanks Sweetbaby I do not know it was coming to The Pavilion, Bournemouth
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Re: Musical

Postby daydreamer » Tue Aug 01, 2017 7:16 am

http://www.whatsonstage.com/london-thea ... 44248.html

Casting has been announced for the UK tour of new musical Son of a Preacher Man, which opens in Bromley in September.

Joining the previously announced Diana Vickers, Debra Stephenson and Ian Reddington will be Michael Howe, Michelle Long, Kate Hardisty, Cassiopeia Berkeley-Agyepong, Lewis Kidd, Liam Vincent-Kilbride, Jon Bonner, Rachael McAllister, Ellie-Jane Goddard, Gary Mitchinson and Jess Barker.


Directed and choreographed by Craig Revel Horwood, Son of a Preacher Man has a book by Warner Brown. It tells the story of three strangers who find themselves drawn to the site of an old '60s Soho bar, The Preacher Man.

The show features the music of Dusty Springfield, including "The Look Of Love", "I Only Want To Be With You" and the title song.

The tour will visit Bromley, Birmingham, Sunderland, Manchester, York, Stoke, Edinburgh, Oxford, Tunbridge Wells, Hull, Wimbledon, Belfast, High Wycombe, Southend, Plymouth, Nottingham, Darlington, Coventry, Malvern, Portsmouth, Aylesbury, Shrewsbury, Blackpool, Chester, Ipswich, Torquay, Brighton, Woking, Bournemouth, Glasgow, Cardiff, Dublin, Llandudno, King's Lynn, Bradford, Aberdeen, Dartford and Liverpool.

Son of a Preacher Man will open at the Churchill Theatre in Bromley on 4 September before embarking on a UK tour.
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Re: Musical

Postby trek007 » Tue Aug 01, 2017 9:15 am

Now it's been fully casted there should be some promotions and advertising soon.
Looking forward to going to Birmingham to see it.
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Re: Musical

Postby Sweetbaby » Tue Aug 01, 2017 10:37 pm

ImageHere's a detailed credit list including the roles played by each actor.

Book Warner BrownDirector & Choreographer Craig Revel HorwoodSet & Costume Designer Morgan LargeMusical Supervisor & Arrangements Paul HerbertLighting Designer Richard G JonesSound Designer Richard BrookerMusical Director Brady MouldAssociate Director & Choreographer David James HulstonCasting Director Anne Vosser

Kat Diana VickersAlison Debra StephensonSimon Ian ReddingtonPaul Michael HoweCappuccino Sister #1 Michelle LongCappuccino Sister #2 Kate HardistyCappuccino Sister #3 Cassiopeia Berkeley-Agyepong Liam/ Young Paul/ Ensemble Lewis KiddAndy/ Mike/ Young Jack/ Ensemble Liam Vincent-KilbrideHardman/ Otis/ Jack/ Ensemble Jon BonnerPippa/ Miss Marsh/ Ensemble Rachel McAllisterSandra/ Anna/ Ensemble Ellie-Jane GoddardOn-Stage Swing & Ensemble Gary MitchinsonOn-Stage Swing & Ensemble Jess Barker

Not sure who Hardman et al are or why the alternate character for Miss Marsh has morphed from Madge to someone named Pippa (I have a hard time believing it was simply decided that the name Pippa had a more authentic resonance for a Cockney char).

The source is https://www.londontheatre1.com/tickets/ ... acher-man/ where the plot synopsis includes the new (as far as I'm aware) info that the three broken-hearted visitors to the Son of a Preacher Man club are "three random strangers, generations apart" so Diana Vickers' casting isn't as incongruous age-wise as when the promo at least implied that the three broken-hearts belonged to habituees of the Preacher Man club in the 60s. Evidently of the trio: Kat (Diana Vickers), Alison (Debra Stephenson) and Paul, only Paul frequented the Preacher Man as Paul is the only character indicated to have a youthful onstage incarnation.

Paul (in present day) is played by Michael Howe who in his mid-teens played the lead in the series Tom Grattan's War which aired for three seasons from 1968: that seems to remain his main claim to fame altho he has a long history of acting credits more onstage than screen. His portfolio can be viewed here: https://www.castnet.co.uk/actor/michael-howe For those unmotivated to click I can assure you he is nice looking - think a Robert Redford/ Colin Firth cross - ; indeed "attractive" is listed as one of his "Other Skills" (which also include "Full Clean Driving Licence" - something I know I appreciate in a stage performer). [;)]

And oh yes - I have breathed a sigh of relief!

ImageYikes - almost missed this: Son of a Preacher Man is booked into Cardiff playing the New Theatre May 15 to 19. Not sure if Liz is interested in attending but I hope it gladdens her heart that Wales isn't being overlooked: in fact besides playing Cardiff the musical will be hosted by the Venue Cymru in Llandudno May 29 – June 2. Sut grwfi!
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Re: Musical

Postby Cardiff Bluesgirl » Wed Aug 02, 2017 1:21 pm

Yes at least it's coming to Cardiff. Hope it's good. [:)]
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Re: Musical

Postby AGirlCalledHannah » Wed Aug 02, 2017 8:21 pm

I'm glad the show is coming to Cardiff, hopefully I'll be able to attend [:D]
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Re: Musical

Postby Sweetbaby » Wed Aug 02, 2017 10:10 pm

SOAPMday2.jpg
SOAPMday2.jpg (34.75 KiB) Viewed 4553 times
A shot from Day 2 of rehearsals for Son of a Preacher Man: presumably the musicians on-view are the supporting cast members who according to the casting call all have to play instruments. I have reduced the size of the photograph: alas - even full-size the printing in the script isn't possible to make out. Should anyone wish to try, click here - https://pbs.twimg.com/media/DGJsRe2XoAElXyu.jpg

BTW - do you think the reason "the other Dusty musical" isn't set to play anywhere til next summer despite being workshopped this spring is that the play couldn't get a West End booking without a try-out run and it was felt that touring at the same time as the SOAPM musical - whose last date is a week after the "other musical"'s premiere date - would cause confusion and/or over-supply the demand for a Dusty-focused musical? Or perhaps you have more important things to think about!
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Re: Musical

Postby Sweetbaby » Thu Aug 03, 2017 8:48 pm

ImageI realize it's not necessary for every pic relating to the SOAPM musical to be reproduced here but I think a good number of my board buds will be interested in the set design: click to enlarge -
SOAPMset.png

Since the set features a street map I don't think I'm being overly petty in mentioning that there is in fact no tube station on Denmark Street where the promo has stated the SOAPM club is located - the nearest would be Tottenham Court at St Giles Circus (BTW - this isn't a criticism).
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Re: Musical

Postby trek007 » Fri Aug 04, 2017 7:57 am

Looks abit like the Cavern!
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Re: Musical

Postby Sweetbaby » Fri Aug 04, 2017 10:27 pm

trek007 wrote:Looks abit like the Cavern!

For comparison consideration - click to enlarge:
TheCavern.PNG
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Re: Musical

Postby Sweetbaby » Mon Aug 07, 2017 11:19 pm

ImageNo new info on the SOAPM musical but at least all existing info - for the most part - may now be viewed at http://sonofapreachermanmusical.com/, the site having been given a thorough updating which includes clickable pix of all the cast members which link to each performer's background info. For some reason the site still isn't featuring all the tour dates, the most recent listing of which may be observed here - https://www.londontheatre1.com/tickets/ ... acher-man/

And I want to make sure my board buds are aware that the Twitter and Facebook accounts for the SOAPM musical may be accessed by clicking the appropriate icons at the upper right-hand corner of the SOAPM musical site: unlike the site these accounts have been updated regularly and altho it's unlikely there'll be much if any additional info at this point, rehearsal pix seem to be posted constantly on these Twitter and Facebook pages.
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Re: Musical

Postby daydreamer » Thu Aug 10, 2017 10:03 pm

Diana Vickers is due to appear on 'Lorraine' 8.30 tomorrow morning (11th) talking about the Son of a Preacher Man tour.
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Re: Musical

Postby daydreamer » Fri Aug 11, 2017 1:08 pm

A single has been released to promote the musical, Diana Vickers singing SOAPM. I was sent the links should anyone wish to listen or buy [:)]

https://open.spotify.com/track/0ytzejrlTV3YHWUzWo5Uug Apple Music
http://hyperurl.co/p5hnu6

Amazon
http://hyperurl.co/nk0tsw

Google Play
http://hyperurl.co/qyttiy
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Re: Musical

Postby Sweetbaby » Thu Sep 07, 2017 11:00 pm

CLICK TO ENLARGE
SOAPM.png
Curtain call from last night's premiere of the SOAP{M musical at the Churchill in Bromley which played to a full house. Hopefully the elan displayed by the cast was shared by the audience - I can't find any online reaction to the musical at all. I believe some of my board buds have tickets for Birmingham next week - please don't be shy about talking about the show here.
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Re: Musical

Postby Sweetbaby » Fri Sep 08, 2017 2:34 am

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Re: Musical

Postby trek007 » Fri Sep 08, 2017 12:07 pm

I am going Thursday...so will post a review!
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Re: Musical

Postby daydreamer » Fri Sep 08, 2017 9:24 pm

I've seen a few positive posts on Twitter from people who were there. One said she'd write a review, so I'll keep an eye out for it.
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Re: Musical

Postby Sweetbaby » Sat Sep 09, 2017 8:05 pm

ImageWell...I've found a review which I fear rates the musical two stars out of five - which seems generous of the writer given her review's content. Of course jukebox musicals often go over bigger with audiences than with critics but this critic: Sarah McPartlan, has responded much more positively to several other productions which IMHO are cut from the same cloth as the SOAPM musical. That said - I'm not suggesting anyone drop their plans to to see the show because of one review. And Ms McPartlan in no way indicates that the show reflects badly on Dusty. Any road - interested parties may read the review at this link: http://musicaltheatremusings.co.uk/son- ... eacher-man
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Re: Musical

Postby Sweetbaby » Mon Sep 11, 2017 5:49 pm

ImageTwo more reviews - one which largely corroborates the misgivings expressed in the earlier review, the most serious IMHO being the contention that the play's focal idea is never really developed into a plot. On the plus side - Diana Vickers is again lauded, and the blogger: Katie Rose, does state: "watching the finale it was clear that the audience did enjoy themselves. If you are a fan of Dusty Springfield this maybe the musical for you". This review may be viewed here: http://www.rosereview.co.uk/?p=1165

There's also a five-out-of-five stars review whose writer: Jeanine Jones, can't seem to find enough good things to say about the show: again there's especial praise for Diana Vickers who's ID'd as the performer of both IOWTBWY and Anyone Who Had a Heart. This review may be viewed here: http://www.rewritethisstory.com/2017/09 ... chill.html

Both reviews feature performance pix which may also be viewed at the play's Facebook page.
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Re: Musical

Postby daydreamer » Tue Sep 12, 2017 3:02 pm

Just to say thanks for searching out these reviews, much appreciated. I hope I enjoy it as much as the third reviewer [:D]
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Re: Musical

Postby Sweetbaby » Wed Sep 13, 2017 6:23 pm

ImageWell - I thought the Birmingham gig might get some reviews in the mainstream press but nothing so far. I've found a fourth blogger review of the Bromley engagement which I fear makes it three naysayers against one hooraysayer. This latest review does echo the misgivings of the previous negative reviews as far as finding the script flaccid and the doubling of actors as onstage musicians clumsy - blogger Ian Foster also adds to the praise afforded Diana Vickers. Hopefully the play's purported shortcomings don't prevent it from being entertaining but while I realize it's early days I'm moved to prophesy that Son of a Preacher Man will turn out to be as much of a non-event as the Mari Wilson-helmed Dusty musical that was launched at the Churchill Theatre in Bromley seventeen years ago. Anway - you can read Ian Foster's blog here: http://oughttobeclowns.blogspot.ca/2017 ... .html#more
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Re: Musical

Postby Douggie » Thu Sep 14, 2017 2:28 am

Sweetbaby wrote:ImageWell - I thought the Birmingham gig might get some reviews in the mainstream press but nothing so far. I've found a fourth blogger review of the Bromley engagement which I fear makes it three naysayers against one hooraysayer. This latest review does echo the misgivings of the previous negative reviews as far as finding the script flaccid and the doubling of actors as onstage musicians clumsy - blogger Ian Foster also adds to the praise afforded Diana Vickers. Hopefully the play's purported shortcomings don't prevent it from being entertaining but while I realize it's early days I'm moved to prophesy that Son of a Preacher Man will turn out to be as much of a non-event as the Mari Wilson-helmed Dusty musical that was launched at the Churchill Theatre in Bromley seventeen years ago. Anway - you can read Ian Foster's blog here: http://oughttobeclowns.blogspot.ca/2017 ... .html#more


Hi Sweetbaby

I can understand from your posts promoting this production that you are some what taken by this show and there is nothing wrong with this. However I am always wary of any show that wants a Dusty connection through her great songs which is also OK! I get your point so please let it run it's course be it successful or a flop. There have been many more Dusty influenced shows before and there will be many many more to come I am sure. I would think by now that everybody who goes onto this web site knows of this show which has had posts since February 2017 and will decide to go or not go. Great for your passion but Please [beg] post some other subjects.

[bow]

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Re: Musical

Postby jennifer49 » Thu Sep 14, 2017 9:09 pm

Went to the Alex, Birmingham yesterday afternoon and yes 9/10, will say why dropped the one at the end.
Had a great time, really enjoyed it. The plot had a few twists and turns which wasn't expecting and couldn't
wait to get to the end to see how it all panned out.
Went with the notion that this wasn't about Dusty, but it is, she is referred to right the way through, but only
because of her musical accomplishments, nothing else. Even one of her records was played on stage at one point
in the plot, but won't say which one, so won't spoil it for other people going. For those at the back or for people
who can't hear very well, probably wouldn't have heard it as turned down low for background music at that stage in the plot.
Three or four other songs were also snook in, but only sung by Dusty on stage, or possibly some of her favourites, but not recorded by her with the exception of one.
Have to say well done to the stage musicians, such beautiful sounds, think was the flutes and saxophones, in the opening scenes the musicians moved off to the right of the stage and stood in a circle to finish what they were playing, it was so beautiful wasn't taking much notice of what else was going on, I just couldn't take my
eyes off them.
All done very well, and they looked like they were enjoying themselves and a young cast to be introduced to Dusty's music. Now I'm going to come to the last little bit, was disappointed that Diana didn't have a song to sing all for herself. Has such a powerful voice, I just wanted her to stand in the middle of the stage and sing out
into the audience, but she didn't, when singing Son Of A Preacher Man was joined by the rest of the cast, could
still hear her because of her powerful voice, but was a little drowned out somewhat. Some of the other cast did
their own songs but not her, was always joined by someone else.
The audience were a bit reserved, no standing ovation at the end, just a few people did, and when they were all taking their solo bows at the end it was Ian Reddington who got the cheers and whistles and not Diana.
Maybe because the face was more familiar.
The Programme is nice, £4.00 and got a couple of pictures of you know who. A great tribute to Dusty this is because its such great music. The writer must be a fan, has got to be, and will have a few more by the time this show has run its course.
Glad I went, would recommend.

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Re: Musical

Postby Sweetbaby » Thu Sep 14, 2017 10:38 pm

ImageDouggie I understand what you're saying - and I'd love to post about other things but the SOAPM musical seems to be the only active element on the "Dusty radar" at present. I used to participate quite heavily in this forum's threads with "what would Dusty..." and "why did Dusty..." type headings but as traffic here has declined in recent times these threads seldom crop up anymore and I'm not really "up" for initiating them myself. I have in fact initiated threads here of late but they don't seem to catch any evident interest. After posting in this thread yesterday I did prep the initial post in a planned thread on the UK tour of Carole King's Beautiful but I ultimately decided on the basis of such recent forum posts I've made as on Bette Midler starring on Broadway in Hello, Dolly! that overall interest here in info on the Beautiful tour would be low if not nil, and that I should trust that anyone who would in fact be interested would learn of it on their own.

However I'm not just posting about the SOAPM musical for the sake of posting, and I'm not really "taken with" the musical per se. As I've said my interest is primarily based on its being a relatively high-profile Dusty related project. And I'm not trying to influence my board buds' decisions on whether or not to attend - my perspective is that as there's almost 4500 miles between me and the nearest venue hosting the SOAPM musical I can only experience the musical as much as possible secondhand and while I respect your position I believe I'm correct in feeling that there are other people who visit this board who can't see the musical but have an interest in it and appreciate as much info as they can get: I understand that any potentially interested parties can trawl the web as much as I can but I do seem to have a bit of a knack for it and IMO it's not really overkill for me to concentrate the flow of info on the SOAPM musical here. Overall I feel each successive post I've made in this thread has conveyed additional information and with the musical having just opened last week then the critical response to it is news. If I were to post links to every review of the show from now til next July that might [:D] be overkill but while I certainly plan to read as many reviews as possible myself I won't be moved to share them here - unless there is something new conveyed about the show. And if I'm not scooped on it I certainly plan to post updates here such as any re-casting for the 2018 leg of the tour.

Any way Douggie - like everyone else here I appreciate your participation in this board more than I can say. And I hope my response to your voiced concern has been respectful and not seemed dismissive. I'm sure you're not the only board member who thinks I've been hammering away over-much on the musical - a time or two I've actually acknowledged this saying in effect "I know I've gone on and on already but please at least skim my new post". Of course it's up to my board buds whether or not they want to give a post any more attention once they see the Image icon.

Thanks again Douggie for your input.
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Re: Musical

Postby Sweetbaby » Thu Sep 14, 2017 10:52 pm

ImageThanks for the report Jennifer - am glad you enjoyed it. Hope I don't across as needy but perhaps at some point someone who sees the show can post scans from the programme?
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Re: Musical

Postby jennifer49 » Thu Sep 14, 2017 11:24 pm

Hi Sweetbaby,

No you don't come across as needy, just interested like the majority of us. If I knew where you lived I would go and get you a Programme and post it to you, but you live abroad don't you?
I'm sure someone will see your post and do the honours of a scan as I am unable to, don't know how.

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Re: Musical

Postby Sweetbaby » Thu Sep 14, 2017 11:40 pm

jennifer49 wrote:Hi Sweetbaby,

No you don't come across as needy, just interested like the majority of us. If I knew where you lived I would go and get you a Programme and post it to you, but you live abroad don't you?
I'm sure someone will see your post and do the honours of a scan as I am unable to, don't know how.

Jennifer


ImageYes Jennifer - altho British-born I live on the West Coast (actually off the West Coast) of Canada. Any road - I don't really have a personal proprietal interest in the programme but thought if possible it would be nice if it could be showcased on Dusty's fansite. Again I'm glad you enjoyed the musical.
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Re: Musical

Postby daydreamer » Fri Sep 15, 2017 4:18 pm

I think for a while now, Facebook and it's Dusty sites has taken over from LTD with the sort of posts that used to happen on here. Like it or not, it's the way it is. I would always try to post any news and new photos on here but there doesn't seem to be that much happening right now, except for this musical and the one proposed for next year. I'm going to see it in Manchester and I know many other people reading this forum are going to other venues too, so it is relevant to keep news and reviews of the show going, at least for a little longer. This is, after all, just one thread and it's headed 'musical'.
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Re: Musical

Postby Sweetbaby » Sat Sep 16, 2017 12:30 am

ImageIt's great that the reviews from fellow board members are starting to come in. As far as purportedly critical assessments - it would seem the ones already linked to in this thread seem to exemplify how critics will react to the show. I realize that the musical had no more aspirations than to be a diverting trifle but still I can't help but be a bit disappointed that it's not shaping up to make a bit more of an impact than would seem to be the case, being as it's only the second instance of a UK tour of a Dusty-focused play and the first instance - perhaps undeservedly - came and went in 2000. With so many Dusty screen and stage projects having been planned it would be great for one to come to fruition with a bang - I still have hopes for the biographical play next year. But I'm glad the SOAPM musical while it is around is evidently entertaining audiences and may boost the appreciation of some somewhat casual fans of Dusty.

BTW - there has been an unofficial web page set up for the biographical Dusty jukebox musical at http://www.dustyspringfieldmusical.co.uk/ At present it features only barebones info familiar to anyone following this thread but it might be worth keeping an eye on.
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Re: Musical

Postby pat.dunham » Wed Sep 20, 2017 3:49 pm

Yet another musical - bio due in London next year. TINA the life of Tina Turner. It will be in the Aldwych theatre from March to June. Pre-sale tickets are available through Amazon Tickets at moment for £11.00.
Believe producers are looking for a Tina at present.

Dusty? Cilla, Tina.
Who will be next ? :roll:
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Re: Musical

Postby Sweetbaby » Wed Sep 20, 2017 8:22 pm

ImageTina herself is endorsing the musical so presumably she had as much input into it as she wished. And Phyllida Lloyd who helmed the inaugural production of Mamma Mia! is directing (of course the two musicals must be radically disparate - unless Tina's life history is radically re-written).

I doubt if it's at all officially endorsed but a jukebox musical with split-focus on Aretha and Tina is currently playing. Hosted by an Edmonton Alberta dinner theater Super Soul Sistas is unlikely to be bound for Broadway or the West End but has earned at least one enthusiastic-yet-grounded review - which is worth reading if only to learn the phrase interstitial comment (the production eschews dramatic enactment in favor of between-numbers onstage biographical commentary) - http://www.gigcity.ca/2017/09/10/review ... ul-sistas/

Altho I still have hopes for the 2018 Dusty bio-jukebox musical I wonder about the viability of a portmanteau-style musical focused on Dusty and one or more of her "fellow" Britgirls - it might have more drawing power (hard to imagine not everyone's a Dusty fan but...) and with the biographical element being necessarily more condensed there might be less temptation to dwell on the darker episodes in Dusty's life.
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Re: Musical

Postby Sweetbaby » Thu Sep 21, 2017 12:31 am

ImageI know I indicated that once the tone of the critical response to the SOAPM musical seemed established I'd lay off linking to reviews: however a review I found of this week's Sunderland Empire gig seems to me the most thorough and balanced critique to date - and I have read several besides the ones I've previously linked to - and therefore merited linking to.

So while awaiting Carole's response to next week's Manchester gig The North East Theatre Guide write-up of the SOAPM musical may be perused at http://nomorepanicbutton.blogspot.ca/ -it's the blog entry for September 19.

BTW I assume the statement describing the Preacher Man in the 60s: "You could listen to records in booths - even buy a coffee which hits by the likes of Dusty are played" should read "while hits... are played" as fifty years later we still don't have phonic coffee cups!
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Re: Musical

Postby jennifer49 » Thu Sep 21, 2017 8:58 am

Sweetbaby, Don't stop reviewing, I enjoy reading 'em. Had you not have posted that last review from the North East would never have known about it, so thank you for that.

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Re: Musical

Postby Sweetbaby » Thu Sep 21, 2017 9:54 pm

ImageWell thanks for the thumbs up Jennifer. There actually aren't that many reviews showing up online - they're mostly by bloggers: I suspect the producers aren't sending comps to critics from the mainstream press - and except for one or two fawning write-ups the gist of the reviews I have read seems to be largely the same. So I think it's reasonable to give special focus to reviews which have at least somewhat of a distinct perspective. And as I said I'll pass on any news on the musical such as the recasts for the 2018 leg of the tour - a development which may not be announced for some time: I did wonder if given the praise she's drawing Diana Vickers might decide to stay on but she did confirm her departure in an interview with the Bolton News last week ("It’s a great show and I have got a lot out of it already and learned a lot. But I need to move on and see what else is out there for me”).
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Re: Musical

Postby countrycake » Tue Sep 26, 2017 3:59 pm

daydreamer wrote:There's been a discussion over on one of the Facebook sites after this snippet appeared in the Daily Mail today.

The attachment musical elton daily mail.jpg is no longer available


Daily Mail has today retracted this story and accepts it is not true.

[url]
http://www.dailymail.co.uk/home/article ... tions.html[/url]
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Re: Musical

Postby Sweetbaby » Tue Sep 26, 2017 10:47 pm

countrycake wrote:Daily Mail has today retracted this story and accepts it is not true.

ImageWell it's certainly a step in the right direction for the production to not feature totally untrue info - hopefully there's also an overall disinterest in making actual events in Dusty's life overly dark.
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Re: Musical

Postby daydreamer » Thu Sep 28, 2017 8:40 am

Three of us went to see 'Son of a Preacher Man' in Manchester yesterday and thoroughly enjoyed it. I'd have to agree that the plot line is rather thin but that for me was helped by having read previous reviews and sort of knowing what to expect. The opening bars from the band of the intro to YDHTSYLM actually made me fill up, memories of the days when the curtains would open and it would actually be Dusty. The musicians were all excellent and in the main, all the singers carried the songs well, different, but well. Not all of the singers were natural dancers but CRH had done his job and there were some very good dance routines. For me, there was a lot of pleasure in knowing that every song was a song of Dusty's and I wasn't disappointed that none of them were done in Dusty's style, just like they weren't done in Abba's style in Mama Mia. The songs told a story, sometimes the words were changed slightly (esp in Middle of Nowhere) and sometimes the songs came back in another scene. For me the one's that worked best were 'A House is Not a Home', 'IJDKWTDWM' and 'How Can I Be Sure'. The one that didn't was possibly 'Anyone Who Had a Heart'. There were also a couple of Springfields songs and a Lana's song in there, again to tell a story. All in all, we were all happy with the show, Dusty was mentioned many times, she herself was part of the storyline which was especially nice. I also enjoyed the fact that there was no worry about someone playing Dusty and getting it wrong, not sounding like her, 'dark times' and bad bouffants! The Cappuccino Sisters are great as are Diana Vickers and Michael Howe and Debra Stevenson surprised me with her voice, I hadn't really expected her to be able to sing. I couldn't see into the circle but the stalls were more or less full and the audience very appreciative come the uplifting finale. [:)]
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Re: Musical

Postby humboldt » Thu Sep 28, 2017 10:59 pm

Thanks for taking time to post a review and glad that you liked it. Not sure that it's for me as I always end up being disappointed and wish that I had just stayed at home and played some CDs. Still it keeps Dusty's music alive.
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Re: Musical

Postby Sweetbaby » Fri Sep 29, 2017 5:57 pm

ImageThanks for the review Carole: I'm glad you and your friends enjoyed the show. Indications are that this will be this musical's farewell tour but it's good to know that while it's around there's a good chance Dusty's fans will get a kick out of it.
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Re: Musical

Postby Sweetbaby » Wed Oct 04, 2017 5:45 pm

ImageTwo recasts for the 2018 leg of the SOAPM tour have been announced, with Alice Barlow and Michelle Gayle slated to assume respectively the roles of Kat and Alison currently played by respectively Diana Vickers and Debra Stephenson. Alice will make her debut at the musical's premiere 2018 gig at Southend January 16 - 20: however Michelle is not scheduled for the first seven SOAPM gigs for 2018 making her debut at Aylesbury March 6 - 10. Not clear if Debra's staying onboard for those first seven gigs or if there'll be an interim recast (I wouldn't think any of the play's current supporting actresses are in the right age range to cover the part). [;)] And never fear - I'll make sure to provide the details of Ian Reddington's replacement as soon as they're made known!
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Re: Musical

Postby Sweetbaby » Wed Oct 11, 2017 8:53 pm

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Happy to confirm that a firm date has been set for Dusty's West End debut - and it won't be via the Katherine Kingsley vehicle scheduled to premiere in Bath next June. I've mentioned in this thread how the constantly touring Faces jukebox musical All or Nothing features Sophia Behn in a cameo as Dusty singing YDHTSYLM: it's just been announced that All or Nothing will play the Arts Theatre near Leicester Square for a February 6 - March 11 2018 engagement. As evidenced by the above pic of Sophia in action, All or Nothing is continuing the tradition of portraying Dusty in bad wigs: in this case there is the probable excuse that as Sophia portrays other characters in the play - including Steve Marriott's wife Jenny and also Cher - her costumes and accessories likely have to be "quick-change friendly". A cast recording of 29 tracks has been announced and likely includes Sophia's YDHTSYLM (and also Angel of the Morning by Dami Olukoya as P P Arnold): however it does not seem to yet be available for preview.
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Re: Musical

Postby Sweetbaby » Thu Oct 12, 2017 12:50 am

ImageWell - altho I assumed the female supporting cast of Son of a Preacher Man were all too young to sub for Debra Stephenson, reportedly "Cappuccino Sister" Michelle Long did just that at Tuesday's opening night in Stoke-on-Trent, so perhaps she'll be covering the role in the 2018 leg of the tour until Michelle Gayle comes on-board in March. BTW - two of the three top-billed stars were MIA in Stoke: besides Debra, Ian Reddington was a no-show with a resultant promotion (at least for the night) for Gary Mitchinson from unspecified ensemble member to the title role!
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Re: Musical

Postby Sweetbaby » Sun Oct 15, 2017 6:47 pm

ImageHopefully a unique occurrence - despite the show going on with two subs at at least one Stoke-on-Trent performance, last Friday's performance was cancelled "due to illness within the cast". Apparently the Saturday matinee and evening performances were presented as scheduled, and the show is still scheduled to begin its Edinburgh engagement at the King's Theatre on Tuesday.
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Re: Musical

Postby Sweetbaby » Wed Oct 18, 2017 10:30 pm

ImageThe show did indeed open as scheduled in Edinburgh - with "swing" Jess Barker subbing for Diana Vickers. I'm posting the two-out-of-five star Broadway World (UK) review as it does have a somewhat different perspective than the previous reviews - being more negative (eg. "Son of a Preacher Man is exactly the kind of show that gives jukebox musicals a bad name.") However it makes a nice change to see Debra Stephenson - not previously a critical fave - lauded for "[having] the best vocals in the cast". Here's the link for the full review: https://www.broadwayworld.com/westend/a ... h-20171018
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Re: Musical

Postby Sweetbaby » Thu Oct 19, 2017 11:59 pm

Image
This post is recommended for completists only!

A review of the second Edinburgh performance indicates that Diana was back onstage - and for the first time she got a critical diss: perhaps she was still under the weather.

The review's opening statement: "Popular history proves that when times are tough, we get nostalgic. With the popularity (and box office kerching) of Jukebox Musicals, the legendary Dusty Springfield’s back catalogue of heart and soul hits was an obvious choice", strikes me as ironic considering the high mortality rate of proposed Dusty-focused projects: all of the screen projects have evaporated while the few stage projects which have made it to the stage - beginning with the Mari Wilson vehicle in 2000 - have kicked up no noticeable dust, a trend the SOAPM musical seems fated to further. I am perhaps unfairly downplaying the local success of the Australian musical but its intended West End transfer fell through. I'm hoping the latest supposedly West End bound project at least gets to the West End - obviously I hope for more than that but...

Any road, the import of the EdinburghGuide.com review of night #2 in Edinburgh - which like the opening night notice affords the show two-out-of-five stars - is pretty much encapsulated in the passage following the opening statement: "this [production] diminishes the iconic music with a laughable plot, clunky direction, phoned in vocals and questionable choreography. Warner Brown’s book might be plausible for a musical on paper, the genre where we are most adept at suspending our disbelief, but the execution is absurdly awkward with many holes in the narrative, terrible transitions and a ludicrous shmaltzy finish. It’s the definition of shoehorning a story around a selection of songs." If anyone's interested in how critic Lindsay Corr expands on her discontent, the full review may be viewed by clicking http://www.edinburghguide.com/reviews/m ... view-18674
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Re: Musical

Postby Sweetbaby » Fri Oct 20, 2017 5:02 pm

ImageThree further venues - for a total of four - have been announced to host "the other Dusty musical" beginning next June and running through July. Details here : http://www.whatsonstage.com/bath-theatr ... 44927.html
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Re: Musical

Postby daydreamer » Fri Oct 20, 2017 6:28 pm

Here's the link to the website for next year's 'Dusty'. I like the website format, sparkle and colour, I hope it's a good omen. Recommended age 14+ though, it contains strong language! And it's playing the Lowry which is almost on my doorstep.

http://www.dustyspringfieldmusical.com/
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Re: Musical

Postby pat.dunham » Fri Oct 20, 2017 9:48 pm

Further details on the new Dusty musical.

https://www.londontheatre1.com/news/186 ... d-musical/
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Re: Musical

Postby Sweetbaby » Sun Oct 22, 2017 8:43 pm

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The link below is to an interview with Katherine Kingsley re the Dusty musical. Essentially it's a puff piece but IMHO there's nothing that should cause Dusty's fans angst. Of course there is mention of input from Vicki Wickham and also that Dusty's darker days in the US are dealt with, but Katherine does indicate that the presentment of the latter will emphasize Dusty's resilience - and hopefully that is indeed the case.
https://thelowryblog.wordpress.com/2017 ... -kingsley/
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Re: Musical

Postby Cardiff Bluesgirl » Mon Oct 23, 2017 1:07 pm

Well if VW is that involved and it portrays her " book" there may well be plenty of low points in the personal side of the disastrous American years laid out on that stage. :roll:
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Re: Musical

Postby trek007 » Mon Oct 23, 2017 5:19 pm

I hope VW has toned down her negative comments it annoys me when she says Dusty hated to sing and that she did it for the money....what utter tosh.
You wouldn't hear anyone saying this about Cilla etc!
I live in hope that the production shows respect and understanding of the life and times of Dusty.
I don't want a sugary tales but I do want a positive story of her talent and truthful events told well.
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Re: Musical

Postby Sweetbaby » Mon Oct 23, 2017 8:36 pm

ImageLikely the production's citing Vicki so as to give the musical the cachet of being authorized, and DWD will pretty much be drawn on for Dusty's general life history such as might be gathered from myriad other sources. The musical's promo seems focused on wooing an audience in the mood for laughs, and both its director and star have made their names in light theatre. Maria Friedman's last directorial project: Stepping Out, toured prior to playing a 15 week limited West End engagement: there's at least a reasonable chance the Dusty musical will follow a similar course and could be playing the West End in 2019 - the 80th anniversary of Dusty's birth and the 20th of her passing.

BTW - notice how the logo emphasizes that this is the NEW Dusty Springfield musical? I thought perhaps this was to avoid confusion with Son of a Preacher Man but have since come across this blurb at StageReview.co.uk:
Disclaimer.png
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I know some board members are acquainted with people involved in the Charing Cross production and I do realize the people who worked on that production had their hearts in the right place but wow - that must have been a bigger disaster than I realized for a show running years later to stress a lack of connection! Don't mean to be snide but thought this detail was newsworthy - perhaps the team behind "the NEW musical" are being overly cautious.
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Re: Musical

Postby wally » Mon Oct 23, 2017 9:23 pm

So......who is planning to attend the opening night of the WORLD PREMIERE???

I am still in mixed minds ....but as Bath is fairly local ...I will go so why not on the first night?

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Re: Musical

Postby daydreamer » Mon Oct 23, 2017 9:40 pm

I'll wait for the Manchester/Salford show at the Lowry Wally, hopefully give it a little bedding in time [:)] Jonathan Harvey is (for me) the best Coronation St writer these days and his episodes always feature humour, so fingers crossed it will have it's light hearted moments. Let's hope VW learned her lesson after the book, I don't expect Dusty's personal life not to be featured but I would love for it to not be the main focus. #shouldbeaboutthemusic!
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Re: Musical

Postby wally » Mon Oct 23, 2017 10:05 pm

Billy No Mates will attend Bath and report back....fingers and everything else crossed x
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Re: Musical

Postby Cardiff Bluesgirl » Tue Oct 24, 2017 12:09 pm

Good luck Wally, let's hope it's a positive take and highlights her musical talents etc. [:)]
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Re: Musical

Postby Sweetbaby » Wed Oct 25, 2017 8:18 pm

ImageI'm linking to a review of the SOAPM musical's opening night at the New Theatre in Oxford as IMHO critic Sophie Hums does give the show a thorough balanced write-up: interesting that as at the Edinburgh opening Jess Barker covered for Diana Vickers (I actually hope Diana is "bunking off" rather than suffering from a lingering ailment!).
https://www.dailyinfo.co.uk/feature/128 ... eview66050
I'll also link to the Oxford Times review altho its writer Tim Hughes pretty much echoes the sentiments of the critics left cold by the earlier SOAPM engagements. This review does feature what might be considered a spoiler re the show's ending which did suggest to me that - however accidentally - there's a parallel between the SOAPM musical and a chicklit novel I've read: Step Back in Time by Ali McNamara, published in 2013 and available for preview perusal at books.google.com: it doesn't mention Dusty its focus being rather on Beatles songs but like the SOAPM musical does feature a vintage record shop. Anyway - the link for the Oxford Times Review is below: as I've mentioned it takes a dim view of the musical and does feature a possible spoiler.
http://www.oxfordtimes.co.uk/leisure/th ... arts__39_/
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Re: Musical

Postby Sweetbaby » Fri Oct 27, 2017 7:26 pm

ImageAs I've said I'll keep posting news about the SOAPM musical and if - as alleged in the headline from the Craig Revel Horwood interview linked to below - it's a hit that's certainly news! Sorry to sound snide - I do just wish the play were a somewhat worthier showcase for Dusty than most reports would indicate. (Perhaps the phrase "Dusty hit musical" refers to its being focused on her songbook.) Anyway - the article (of course) is pretty much a puff piece but does contain sincere sounding praise for Dusty.

http://www.hulldailymail.co.uk/whats-on ... ing-689914
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Re: Musical

Postby Sweetbaby » Sun Oct 29, 2017 11:01 pm

ImageJess Barker went on for Diana Vickers at least once during the Oxford run which ended last night. While the SOAPM musical isn't really the sort of show where a performer might go onstage an unknown and take his or her final bow as a star I am pleased that some cast members are earning potentially career-boosting notices - that's likely a nice surprise for the understudies for the leads especially Jess Barker who wasn't even assigned a specific role and has played what I'd call the female lead at least three times.

As I've mentioned I rather hope that Diana - whose own notices have been good - is occasionally "bunking off" rather that suffering an ailment she can't shake. On November 21 Son of a Preacher Man will open in Belfast for its second-to-last 2017 engagement - I wonder if one or more of the three "name" leads might decide to remain on this side of the Irish Sea and give their understudies the spotlight. Be sure to let us know Henry! Of course whoever's onstage at the Grand let us know how you liked the show (and hopefully you will like it).

I'll provide below the link to the write-up of the Oxford gig which mentions Jess Barker's subbing - and it is the most positive yet grounded review of Son of a Preacher Man that I've seen, even opining that "if they can work on the book and make it a touch less cheesy, the musical should ultimately go to the West End" (altho I'd still advise any one at all interested in seeing the show to catch it on this tour).
http://playstosee.com/son-preacher-man/
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Re: Musical

Postby Sweetbaby » Tue Oct 31, 2017 12:22 am

ImageWell somehow I miscounted the venues where Jess Barker has subbed for Diana Vickers it only being two rather than three: pretty sad when even I "lose the plot" of my own posts! Anyway the role subbing in the play isn't quite as much of a trend as my last post indicated and on reflection I'd be surprised if the announced cast didn't all make the crossing to play Belfast. I believe that Henry's now the only board member who's going to see the show unless some of my board buds have kept their plans to themselves - if anyone else has or will attend I think I speak for the board in general (for a change) in saying we'd all love to hear your impressions. BTW still no word on who's replacing Ian Reddington in the title role.
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Re: Musical

Postby Sweetbaby » Tue Oct 31, 2017 10:25 pm

ImageI actually have news to pass on - Debra Stephenson may be staying on as Alison into 2018 until Michelle Gayle take over March 3 at Aylesbury: the report actually says Debra may stay on for six weeks which would leave a "gap gig" at Portsmouth before Michelle Gayle took over - presumably Michelle Long would sub but then she may already have played Alison from the first 2018 date, Debra apparently still being undecided. And if it's not a given that the three name stars drop out after the 2017 finale at Wycombe then perhaps Ian Reddington will remain as the title character for the 2018 dates. Anyway here's a link to the interview with Debra - interesting details about her but not really much about the SOAPM musical: download/file.php?id=31672
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Re: Musical

Postby thc@c » Wed Nov 01, 2017 3:41 pm

Looking forward (in part, considering some of the reviews!!) to going to this show. My wife and I go to the matinee performance in the Grand Opera House in Belfast on 23rd November some friends. I hope the Belfast audiences will enjoy the show, but I have seen comments that aren't entirely encouraging from previous reviews. I will travel eagerly with an open mind and hopefully the overall impression will be one of "great sounds" from a special time in musical history, no matter what the story portrays! xx
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Re: Musical

Postby Sweetbaby » Sat Nov 04, 2017 1:35 am

ImageI realize the possibility of the top-billed stars sitting out the Belfast gig was never a real issue but since I did bring it up I will mention that Debra Stephenson spoke to Belfast's News Letter for a promo piece which states that Debra will be making her Belfast stage debut in the SOAPM musical. The News Letter also states that Debra's "run in Son of a Preacher Man comes to an end early next year" so it is evidently now a given that she'll remain with the show for the first six or seven weeks of the 2018 leg of the tour. I'll link to the article below but it really is a puff piece. Debra does state that "if you like the music of Dusty Springfield, you will have a good night" and while she may not be an objective source that opinion has earlier been expressed by critics despite they're overall having misgivings about the show.
http://www.newsletter.co.uk/whats-on/th ... -1-8228231

I have in fact just found corroboration for my last statement in a review of last weeks Oxford gig for the SOAPM musical by Henley Standard critic Daisy Smith who professes an affinity for Dusty's music due to Dusty's "Henley links and the annual Dusty Day" which made her "excited to see this musical based around [Dusty's] livery of songs." Overall Daisy praises the production values - including Craig Revel Horwood's oft-panned choreography - and the performances - affording stand-in Jess Barker another rave altho Debra's serious turn is found wanting - while (like most of the show's critics) having reservations about the script (altho Daisy's expressed reservations seem less serious than those of most critics). She concludes by stating: "Go and see the show if you love Dusty’s music as the songs were performed brilliantly, but I wouldn’t rush to see it again." Here's a link to the full review: http://www.henleystandard.co.uk/news/co ... round.html
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Re: Musical

Postby Sweetbaby » Wed Nov 08, 2017 8:06 pm

ImageNo evident online reaction to the Hull engagement which opened last night but I've found a review of last week's Tunbridge Wells gig which Dusty's fans might find encouraging: in a 3-star review The Sussex Newspaper critic Paul Lucas-Scott opines -

"The talented cast of Actor/Singer/Musicians deserve so much more from a script that is, at times, just appalling. The jokes sometimes fall flat, and many scenes feel disjointed and haphazard, often relying on cheap laughs...The show does have a feel good factor to it and, with the twists and turns that are crammed into the last ten minutes, does have a [comparatively] plausible ending, but any success that it has will simply be because it features some of Springfield’s most popular songs...Son Of A Preacher Man makes for a pleasant enough evening out but, unlike Dusty’s music, I am not convinced that it will stand the test of time."

Here's a link to the review in full: http://www.thesussexnewspaper.com/revie ... dge-wells/
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Re: Musical

Postby Sweetbaby » Fri Nov 10, 2017 11:12 pm

ImageThe Cambridge Independent features an interview with Katherine Kingsley - linked to below - which mentions the upcoming Dusty musical: no new info there but the article does have some interesting background info on Ms Kingsley and does discuss the very worthy National Society for the Prevention of Cruelty to Children charity. http://www.cambridgeindependent.co.uk/n ... -1-5273767
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Re: Musical

Postby Sweetbaby » Thu Nov 16, 2017 1:29 am

ImageWell - less than a month to go for Part 1 of the SOAPM musical tour with two venues left after the current New Wimbledon Theatre gig, an assessment of which by Bev Lung at TheUpComing.co.uk does corroborate the suggestion that Dusty's fans will find the musical worthwhile:

"Son of a Preacher Man sure does love Dusty Springfield. And not just because the characters declare it every second sentence...Not all [her] songs fit logically nor have their desired emotional impact, but nevertheless they are performed well...A surprisingly large number of [Dusty Springfield] songs are covered with endless gusto. This is a double-edged sword as it makes it tricky to credibly match the plot without shoehorning, but at the end of the night it is still a fun celebration of her music."

And while Ms Lung doesn't buck the critical consensus of the script's quality [ie. lacking] she notes "the show... is ...littered with Dusty in-jokes for the devoted fans". The link to the full review is http://www.theupcoming.co.uk/2017/11/15 ... re-review/
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Re: Musical

Postby Sweetbaby » Sat Nov 18, 2017 1:35 am

ImageIs 2018 the Year of the Panda? Yet another Dusty-focused show is set to tour next year: seemingly a tribute concert with biographical commentary, Dusty Springfield & the Shades of the 60s is booked into thirteen venues in March, April & May, playing one-nighters mostly in moderate size civic areas altho its two May dates are in Liverpool and subsequently Basildon just east of London. The Shades have already done a similar show for Cilla Black (which is being reprised next year): critic Paul Vale of TheStage.co.uk found the Basildon engagement of Cilla & the Shades “an upbeat but slight show built around an amiable Cilla Black tribute act” which he deemed worthy of two out of five stars (for the full review click
https://www.thestage.co.uk/reviews/2017 ... -basildon/).
The webpage for the Dusty show is at http://www.shadesofthe60s.com/dusty/
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